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Robert Cormier's letter to Miss Marilyn Marlow undated
In this letter to his agent, Cormier discusses current and forthcoming projects, particularly surrounding a potential novel on French-Canadians in New England. Cormier shows a remarkable degree of self-awareness in assessing his own writing,…
"'Tenderness' and troubled lives" Sentinel & Enterprise
This article presents an edited interview with Cormier after the publication of Tenderness. Cormier expresses doubts about being able to "pull it off" because the protagonist is a "monster." He discusses his character-driven writing process and sheds…
"Famed Novelist Gives Leominster Leading Role" Telegram & Gazette
This article explores how Cormier's upbringing in the postwar French Hill district of Leominster influenced the setting for many of his novels. "I'm sentimental about French Hill," proclaims Cormier. The article references a free-verse book about his…
"Robert Cormier Heroes" Auditorium Guest Control Panel
This is a transcript of an online discussion panel with Cormier facilitated by Barnes and Noble. Although the Q&A focuses on the recently-released Heroes, participants also asked questions about censorship, Cormier's writing practices and…
Julie Hack's letter to Robert Cormier 16 December 1995
This letter from a freshman in an English gifted and talented class asks Cormier a series of 11 rapid-fire questions. The questions range from personal ("what was your childhood like?") to professional ("how do you get your story ideas?").
"Readers Responding Creative Writing and YA Literature" English Journal
This article explores ways in which creative writers can craft better, more engaging Young Adult fiction. The author proposes the use of the YA short story collection Sixteen: Short Stories by Outstanding Writers for Young Adults, edited by Donald…
Robert Cormier's email to Fiona, Gudrun, Lucy, and Paul 4 February 1999
In this response to the interview questions from the "In Brief" team, Cormier discusses his love of words, the politically conservative climate, the horror of the commonplace, and his admiration of other writers, especially Graham Greene. The topics…
Paul Swaddle's email to Robert Cormier 3 February 1999
This e-mail presents a series of interview questions to Cormier from the Waterstones "In Brief" team out of Newcastle. Questions cover several topics including Cormier's journalism experience, Frenchtown, adolescence, large institutions, controversy,…
"An Interview with Robert Cormier" New Hampshire College Journal
In this lengthy interview, Cormier discusses topics ranging from his early school writing, influential teachers, childhood traumas, autobiographical components of his writing, the young adult label, fear of large institutions, censorship,…
"Interview Robert Cormier" Ohio Journal of the English Language Arts
In this wide-ranging interview Cormier, later joined by his editor Craig Virden, discusses several topics related to his writing process, from his own writing role models (Ernest Hemingway and Thomas Wolfe) to the particulars of how organizes his…
Robert Cormier's letter to Miss Marilyn Marlow 4 October 1960
In this four-page letter (page 2 missing) to agent Marilyn Marlow, Cormier discusses at length his difficulties writing a new novel, as well as publication challenges for his finished novel The Rumple Country. He solicits her advice on a short story…
Mike Gubbins's letter to Robert Cormier 18 February 1998
In this 2-page letter to Cormier, Mike, a student in Knoxville Tennessee, asks about Cormier's writing process and education, along with specific questions about Heroes and I Am the Cheese. Mike is especially interested in Cormier's inspirations and…
Robert Cormier's letter to Mike Gubbins 6 March 1999
In this letter to a student, Robert Cormier describes how his own emotions fuel his writing and how he must be emotionally invested in his characters. He also discusses World War II and his fictional town of Monument.
The Toybreakers outline
This single page, typed, and marked outline of Toybreakers shows Cormier's customary global overview of a work in progress. This artifact shows Part 1, the only section of the book that exists in the archive. Cormier's handwritten notes indicate that…