In this John Fitch IV column, Cormier laments the commodification of our heroes. Citing the example of the legendary Joe DiMaggio selling coffee makers, he argues that this consumerism robs our heroes of their mystery and mystique and that television…
In this John Fitch column Cormier examines te sifting definitions of our culture's heroes, wondering why, for instance, the likes of Julia Child and Andy Warhol made a recent list. He concludes, however, that our choice of heroes ultimately reflects…
In this bi-weekly column written under the name "John Fitch IV", Cormier blends verse and prose to poke fun at our naïve innocence of the world as viewed through the lens of movie clichés. Amongst the roughly three dozen clichés are some on female…
In this letter to a student, Robert Cormier describes how his own emotions fuel his writing and how he must be emotionally invested in his characters. He also discusses World War II and his fictional town of Monument.
Twelve strips of cut sections of Heroes show Cormier's active revision process where he literally cut then pasted sections as he worked on the Heroes manuscript. Scenes on the Wreck Center sexual assault, Francis's meeting with Nicole after the war,…
In this column, Cormier recounts his wife calling him out on faking the music he is listening to in a previous column. He normalizes the behavior by recounting several instances where, as a parent, he must pretend to have good advice, know the…