Browse Items (27 total)

Craig letter to Robert Cormier 16 February 1996.jpeg
In this four-page letter from Cormier's editor, Craig Virden, it is apparent that Craig consulted with his colleague, Karen Wojtyla, and other editors at Bantam Doubleday Dell regarding the Tenderness manuscript. Craig explicitly mentions Karen's…

22_Karen Wojtyla's letter to Robert Cormier 9 April 1996.jpeg
In this one page typed, Cormier's Bantam editor Karen Wojtyla confirms receipt of his revisions to  Tenderness. She encourages Cormier on his progress with the novel and informs him of the timeline for bound and unbound galleys.

Robert Cormier's letter to Craig 28 February 1996.jpeg
In this four-page letter to his editor, Craig Virden, Robert Cormier defends his decision to label Tenderness a YA novel even though it features some departures from the genre, including an older protagonist and a morally ambiguous main character in…

Robert Cormier's letter to Karen 20 May 1996.jpeg
This two-page letter to Karen Wojtyla details his response to the copy editor's comments on Tenderness. The changes frequently address word choice, names, ages, and quote attributions.

Robert Cormier's letter to Karen 9 April 1996.jpeg
This one-page letter from Cormier accompanied his revised Tenderness draft. He addresses the character shifts he made with Lori and Eric and expresses his gratitude for her comments and his contentment with the revised version of the novel.

18_Karen Wojtyla letter to Robert Cormier 12 March 1996 C17 folder 10 page 1.jpeg
This five-page, single-spaced editorial letter concerning Tenderness from the editor, Karen Wojtyla (Bantam Doubleday Dell), constructively critiques the work in progress. She asks him to mention "monster" only sparingly, to reconsider how much…

Debra Bunn 6 March 1999.jpeg
In this short half-page letter, Cormier thanks Debra for choosing Tenderness as her senior thesis. He reveals that one inspiration for this character Lori came from a girl he knew whose life he pitied. He was also interested in the humanity of serial…

Trenton Keim 5 May 2000.jpeg
In this letter, presumably responding to a student, Robert Cormier shares his sources of inspiration for Tenderness that came from the news and his adolescence. He shares that Wickburg is a fictionalized version of Worcester, MA and encourages the…

Ashley Hardiman 14 April 1998.jpeg
In this brief letter, Cormier points to Tenderness as a reflection of rampant violence in the real world and expresses hope that even monsters like Eric Poole can be saved.

Mike Gubbins 6 March 1999.jpeg
In this letter to a student, Robert Cormier describes how his own emotions fuel his writing and how he must be emotionally invested in his characters. He also discusses World War II and his fictional town of Monument.

Dana 15 March 1989 E1.1 folder 17.jpg
In this letter to Dana, presumably a young reader, Cormier writes about finding inspiration for his novels in the lives of his children. He also speaks to the timeless nature of emotions, especially those of adolescence.

Julie 2 January 1996 E1.1 folder 17.jpg
Cormier writes to Julie in response to her four interview questions for a class project. It appears he enjoyed a friendship with her teacher, Ms. Hawks. Cormier discusses his childhood during the depression, his interests, and his motives for…
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