"Meet The Bully" John Fitch IV Column
In this bi-weekly column written under the name "John Fitch IV", Cormier recounts his childhood encounters with an unnamed bully after hearing Jonathan Winters share his experience with bullies on a talk show. Cormier wonders whether or not bullies can grow up to be good people.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
<em>Fitchburg Sentinel</em>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
11 April 1974
AnnaMary L. Consalvo
Katharine Covino
Elise Takehana
<a href="https://robertcormiertwistedintimacy.omeka.net/items/show/30" target="_blank" rel="noreferrer noopener">Michael Antoniak's letter to Robert Cormier April 1986</a>
Legal size xerox copy
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper+column">Newspaper column</a>
"The Days of Sweet Innocence" John Fitch IV Column
In this bi-weekly column written under the name "John Fitch IV", Cormier blends verse and prose to poke fun at our naïve innocence of the world as viewed through the lens of movie clichés. Amongst the roughly three dozen clichés are some on female beauty, heroism, the appearance of villains, and the actions of stock characters.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
<em>Fitchburg Sentinel</em>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
10 October 1973
Annamary L. Consalvo
Katharine Covino
Elise Takehana
Legal size xerox copy
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper+column">Newspaper column</a>
"The SOS Signals Not Always Noticed" John Fitch IV Column
Robert Cormier's adopted persona, John Fitch IV, articulates in this bi-weekly column, how closely related specific positive or neutral qualities are to those that are destructive. He claims that we misunderstand distress signals that reveal depression or potential suicide because people work to hide their feelings.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
<em>Fitchburg Sentinel</em>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
16 November 1972
Annamary L. Consalvo
Katharine Covino
Elise Takehana
Legal size xerox copy
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Newspaper+column">Newspaper column</a>
"Not Banned in Boston"
In this magazine feature for <em>The Sign</em>, a Catholic periodical, Cormier praises the efforts of priest Monsignor Russell Novello to bolster sex education in the Boston archdiocese. The sex education program he has developed with regional gynecologists focuses on educating parents and teens so that sex education can continue in the home and encompass more than anatomical and medical concerns. Dr. Lynch, one of the gynecologists, laments the ubiquity of sexual messaging in popular culture and mentions the rising attention to homosexuality in comics. Cormier reports on how teens of the 1960s are not shy about frank conversations about sex while their parents are less comfortable with the topic. The article closes with a discussion of the need for moral education as part of sex education and the controversy around public school sex education programs which might overlook moral concerns.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
<em>The Sign</em>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
April 1967
Annamary L. Consalvo
Katharine Covino
Elise Takehana
JPG, magazine
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Magazine+article">Magazine article</a>
"Dear Dad"
This magazine article tells the story of several fathers whose daughters have left home for college. Interviews with sets of fathers and daughters echo themes of tension between fathers and daughters particularly regarding emotional intimacy and communication as well as newfound understandings of one another. A portion of the article details Cormier's memory of the night before his daughter left for college and he both faced the reality that she was not a child and recalled scenes from her childhood. The article also mentions the communication and letter writing habits of fathers and how they differ from those of mothers. Mothers focus on daily life, grades, and health while fathers talk about boys and political or social issues of the day.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
<em>St. Anthony Messenger</em>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
September 1970
Annamary L. Consalvo
Katharine Covino
Elise Takehana
JPG, magazine
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Magazine+article">Magazine article</a>
<em>The Toybreakers</em> outline
This single page, typed, and marked outline of <em>Toybreakers</em> shows Cormier's customary global overview of a work in progress. This artifact shows Part 1, the only section of the book that exists in the archive. Cormier's handwritten notes indicate that the second half of the outline needs to be rewritten. He appears to be questioning the logical progression of Susan and Harriet's motives and actions.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
Annamary L. Consalvo
Katharine Covino
Elise Takehana
<a href="https://robertcormiertwistedintimacy.omeka.net/items/show/9" target="_blank" rel="noreferrer noopener"><span>The Toybreakers draft material</span></a>
JPG, letter size
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Typed+outline">Typed outline</a>
<em>The Toybreakers</em> draft material
Ten stray pages of <em>Toybreakers</em> draft material show Cormier's handwritten edits. The content includes one sexually explicit conversation between Mr. Caller and Susan, a scene of Harriette home alone contemplating torturing Mr. Caller, Mr. Caller leaving money for Susan to find, and Harriette trying to convince Susan to continue speaking with Mr. Caller. Cormier types notes to himself of how to revise the scene between Harriette and Susan to play up Susan's desperation.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
Annamary L. Consalvo
Katharine Covino
Elise Takehana
<a href="https://robertcormiertwistedintimacy.omeka.net/items/show/8" target="_blank" rel="noreferrer noopener">The Toybreakers outline</a>
JPG, letter size
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Typescript+draft">Typescript draft</a>
Robert Cormier's letter to Julie 2 January 1996
Cormier writes to Julie in response to her four interview questions for a class project. It appears he enjoyed a friendship with her teacher, Ms. Hawks. Cormier discusses his childhood during the depression, his interests, and his motives for writing.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
2 January 1996
AnnaMary L. Consalvo
Katharine Covino
Elise Takehana
<a href="https://robertcormiertwistedintimacy.omeka.net/items/show/122" target="_blank" rel="noreferrer noopener">Julie Hack's letter to Robert Cormier 16 December 1995</a>
JPG, onion skin
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a>
Robert Cormier's letter to Dana 15 March 1989
In this letter to Dana, presumably a young reader, Cormier writes about finding inspiration for his novels in the lives of his children. He also speaks to the timeless nature of emotions, especially those of adolescence.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
15 March 1989
AnnaMary L. Consalvo
Katharine Covino
Elise Takehana
JPG, onion skin
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a>
Robert Cormier's letter to Mike Gubbins 6 March 1999
In this letter to a student, Robert Cormier describes how his own emotions fuel his writing and how he must be emotionally invested in his characters. He also discusses World War II and his fictional town of Monument.
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Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
6 March 1999
AnnaMary L. Consalvo
Katharine Covino
Elise Takehana
<a href="https://robertcormiertwistedintimacy.omeka.net/items/show/35" target="_blank" rel="noreferrer noopener"><span>Mike Gubbins's letter to Robert Cormier 18 February 1998</span></a>
JPG, 8.5x11
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a>
Robert Cormier's letter to Ashley Hardiman
In this brief letter, Cormier points to <em>Tenderness</em> as a reflection of rampant violence in the real world and expresses hope that even monsters like Eric Poole can be saved.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
14 April 1998
AnnaMary L. Consalvo
Katharine Covino
Elise Takehana
JPG, 8.5x11
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a>
Robert Cormier's letter to Trenton Keim 5 May 2000
In this letter, presumably responding to a student, Robert Cormier shares his sources of inspiration for <em>Tenderness</em> that came from the news and his adolescence. He shares that Wickburg is a fictionalized version of Worcester, MA and encourages the recipient to keep reading.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
5 May 2000
AnnaMary L. Consalvo
Katharine Covino
Elise Takehana
JPG, 8.5x11
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a>
Robert Cormier's letter to Debra Bunn 6 March 1999
In this short half-page letter, Cormier thanks Debra for choosing <em>Tenderness</em> as her senior thesis. He reveals that one inspiration for this character Lori came from a girl he knew whose life he pitied. He was also interested in the humanity of serial killers.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
6 March 1999
Annamary L. Consalvo
Katharine Covino
Elise Takehana
JPG, 8.5x11
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Letter">Letter</a>
<em>Tenderness</em> draft with Robert Cormier's markings
These six-page non-consecutive typed draft of <em>Tenderness</em> sections shows both handwritten and typed revisions with XXXX over previously typed words. One page includes notes to himself about reframing Lori's parent's situations. The other pages are of Lori compelled to kiss a rock singer and the scene of her hitchhiking and inviting the driver to grope and kiss her for money.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
Annamary L. Consalvo
Katharine Covino
Elise Takehana
<a href="https://robertcormiertwistedintimacy.omeka.net/items/show/17" target="_blank" rel="noreferrer noopener">Tenderness draft with editor's comment</a>
JPG, 8.5x11
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Typescript+draft">Typescript draft</a>
<em>Tenderness</em> draft with editor's comment
Twenty pages of typescript of <em>Tenderness</em> show extensive commenting and editorial markings. Pages are numbered in pencil but not all pages are consecutive. Editorial comments, presumably from Karen Wojtyla, discuss issues of continuity, suspense, perspective, and characters' behavior, motives, backstory and depth of internal thought. Comments also show an interest in the possibility of Eric redeeming himself and encouraging moments of increased ambiguity. The markings suggest making Lori more frightened and innocent and Eric more socially adept, confident and less monstrous as the novel comes to an end.<br /><br />The nonconsecutive pages of the novel include scenes of disposing of Alicia's body, ejecting Lori from Harmony House, a phone call between Eric and Maria to arrange a meeting, feeding the swans, and Lori and Eric's drive to a motel where Eric begins an attempt at killing Lori. Also included is a section of the fairground scene, the incident at Mirror Lake, and Walter Clayton committing suicide.
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Robert+Cormier">Robert Cormier</a>
Robert E. Cormier Collection at Fitchburg State University's Amelia V. Gallucci-Cirio Library
Annamary L. Consalvo
Katharine Covino
Elise Takehana
<a href="https://robertcormiertwistedintimacy.omeka.net/items/show/22" target="_blank" rel="noreferrer noopener">Karen Wojtyla's letter to Robert Cormier 9 April 1996</a><br /><a href="https://robertcormiertwistedintimacy.omeka.net/items/show/20" target="_blank" rel="noreferrer noopener">Robert Cormier's letter to Karen 20 May 1996</a><br /><a href="https://robertcormiertwistedintimacy.omeka.net/items/show/19" target="_blank" rel="noreferrer noopener">Robert Cormier's letter to Karen 9 April 1996</a><br /><a href="https://robertcormiertwistedintimacy.omeka.net/items/show/18" target="_blank" rel="noreferrer noopener">Karen Wojtyla's letter to Robert Cormier 12 March 1996</a>
JPG, 8.5x11
English
<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Typescript+draft">Typescript draft</a>